It often goes: the more peculiar the story, the more fascinating the documentary. In a new film, Voyeur, not only is the story being explored, but also the ...
Gerwig talks exploring the personhood of a young woman, the sometimes volatile love between mother and daughter, and sneaking into NYFF during college....
The modern pervasiveness of surveillance technology causes an unfamiliar type of cognitive dissonance where their use is collectively recognized but an innate f...
By Siddhant Adlakha
When attempting to parse the root causes of religious extremism, a common argument in western discourse involves not only pointing to Islam...
Feeling like a poor stage-to-screen adaptation in the lineage of Rent or The Producers -- just without catchy songs to redeem it -- Wonder Wheel is an undercook...
French-Algerian visual artist and filmmaker Neïl Beloufa’s second feature, Occidental, opens in media res as its eponymous setting, the tawdry Hotel Occidental,...
Call Me By Your Name came to the 55th New York Film Festival last week and both screenings were met with rapturous applause and standing ovations (a rare occurrence at the fest)....
Even well before his death in 1999, the life and work of Stanley Kubrick has been meticulously documented and expounded upon to such an extent that a cult of pe...
