In Sibyl, Sandra Hüller appears at the midway point for a scene-stealing role as a director attempting (and failing) to prevent a love triangle between her two...
Filmmaker Miko Revereza closes the door on sharing memories as an undocumented immigrant with Nowhere Near, an extension of his multi-film project exploring hi...
With great success comes great expectation, and I doubt that Daniel Kokotajlo’s Starve Acre will quite live up to the favorable notices of his first feature, t...
Like other Hong Sang-soo films, In Our Day passes, on the surface, for simple fare. The prolific South Korean director layers weighty themes amidst naturalisti...
It is time to stop labeling moths as villains. Moths received an unfortunate, terrible rep due to the common phobia of insects when reporters hyperbolically co...
About halfway through playwright Annie Baker’s self-assured and pitch-perfect directorial debut Janet Planet, 11-year-old Lacy (Zoe Ziegler) rolls over in bed ...
Before the New York Film Festival premiere of her latest opus, Green Border, legendary director Agnieszka Holland wished everyone a good screening: “I would te...
One of the most purely pleasurable films of the year, Tran Anh Hung's The Taste of Things secured France's pick as their Oscar entry over Anatomy of a Fall, wh...
One of the best surprises in cinema this year was the news that Ryusuke Hamaguchi, just two years after his perfect one-two punch of Wheel of Fortune and Fanta...
In the climactic moment of 45 Years, Andrew Haigh’s portrait of an elderly couple whose marriage cracks the week of a milestone anniversary, Kate (Charlotte Ra...
