One of our favorite films from this year's Sundance Film Festival was Anna Rose Holmer's debut feature The Fits. Following a girl's journey growing up in Ci...
Following in a wave of cerebral psychological horror films such as The Witch, It Follows, and The Babadook, Anita Rocha da Silveira’s debut Kill Me Please is th...
At its heart, Bi Gan's Kaili Blues is a meditation on the struggle between traditionalism and modernism. Through the story of one man’s journey through Chinese ...
I Promise You Anarchy, by writer-director Julio Hernández Cordón, titillates equally with its queer sensuality and noirish crime, neither of which is entirely t...
Nakom is the first movie produced in Ghana's Kusaal language, made by directorial duo T.W. Pittman and Kelly Daniela Norris after the former’s Peace Corps stint...
Currently underway in New York City is Film Society of Lincoln Center and MoMA's New Directors/New Films series. In its 44th year, it brings exciting discov...
By now, the lengthy following shot to open a film is an art-house approved cliché. But in The Fool, Yuri Bykov complicates the shot in a way that makes it feel ...
For Franz Kafka, The Castle is about the plight of the individual within oppressive societal customs and the absurd attempt to reach an unattainable. Michael Ha...
A Great Man is divided up into five chapters, the first four of which trace the latter half of the first chapter’s “Hamilton and Markov” duo, while the final, f...
To the right crowd, there are a lot of familiar faces in Benjamin Crotty’s Fort Buchanan, a look into the life of a number of mostly-sexually frustrated army sp...
