Sauvage/Wild opens with a gay hustler in a doctor’s office. As he discusses his ill health—his cough, his odd stomach pains—the camera, like the examiner’s hand...
I can think of nobody among the contemporary American indie scene in step with Ricky D'Ambrose, who's made a name in recent years with a series of dry, spar...
At the Sundance Film Festival earlier this year, documentary filmmaker Stephen Loveridge made his directorial debut with the premiere of Matangi/Maya/M.I.A....
If it wasn't for a certain action blockbuster, the Brazilian lesbian werewolf horror melodrama Good Manners (which also throws in a musical element as well)...
Not since the Polish cannibal horror mermaid musical The Lure has there been another genre melting pot as winning as the Brazilian lesbian werewolf horror m...
Contrasts abound in Juliana Rojas and Marco Dutra’s terrifyingly captivating Good Manners, a horror-meets-children’s-movie that uses all the tropes at its dispo...
A few minutes into Helena Wittmann’s Drift, two young ladies sit at a bar and recount an old myth from Papua New Guinea. It’s an anecdote of the world’s creatio...
The past is a home country in Corsica-born French director Thierry de Peretti’s second feature, A Violent Life. A crime saga chronicling Corsica’s gruesome 1990...
Huang Hsin-Yao is a new voice in independent Taiwanese cinema, and his first narrative feature–an adaptation of his short film The Great Buddha–carries itself w...
