There’s never a bad time to spend an hour or two digesting more information about the work of Alfred Hitchcock, but the activity certainly takes on some add...
With a spoken version of his recently published text, "Persistence of Vision: Reading the Language of Cinema," Martin Scorsese delivered the Kennedy Center'...
The current economic model has been tough on Paul Schrader, whose preference for dark, old-fashioned, and uncompromised filmmaking is exactly the combinatio...
While Hollywood credits directors, actors, producers and more, there is one vital facet of productions that seemingly goes unnoticed in most circles. As Mar...
“Paul Schrader’s Los Angeles has changed,” writes Nick Newman in our review of The Canyons, the aforementioned helmer's first film since 2008’s Adam Resurre...
While many will, justifiably, call out Alfred Hitchcock, Charlie Chaplin, David Lean and more when it comes to their favorite British directors, the work fr...
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits r...
As you should be aware by now, Spike Lee is the latest talent to turn to crowdsourcing, as the Brooklyn-based filmmaker is currently the midst of Kickstarti...
With his go-to white-on-black Windsor typeface (in use since 1977), there's particular solace to be found when one enters the latest film from Woody Allen. Here is a filmmaker who, year after year (for nearly 50 years), churns out (mostly) quality work, with his latest effort Blue Jasmine managing to be one of his most perceptive entries in some time. In honor of his upcoming Cate Blanchett-led drama, I've combed through his entire filmography, revisiting classics and going through a handful of features I've previously never encountered....
Coming off the major Toronto International Film Festival announcement of galas and special presentations, today we have the first images of two of our most ...
