One could not ask for a better readymade metaphor than a massive construction site right next to a retirement home. Shevaun Mizrahi takes the image of new infra...
The title is the conceit. The ouroboros, the snake that eats its own tail, has symbolized the cycle of destruction and creation, endlessness itself, since ancie...
There must be something really frightening in a 50-year-old woman deciding to give up her role as diligent housewife and mother, especially when it is the only ...
The characters populating Ilian Metev’s 3/4 (read: Three Quarters) often walk and talk in pairs, but they are seldom framed together, the camera lingering on ea...
Now in its 47th year, New Directors/New Films is a stellar showcase for new voices in cinema, both domestic and international, and this year's lineup is no ...
26 years, 6 movies, and 1 miniseries since winning the grand Jury Prize with his debut film Poison at Sundance, Todd Haynes remains a remarkably difficult auteur to pin down....
The true highlight of Toronto International Film Festival every year is the Wavelengths program, an expertly curated selection of the most boundary-pushing cinema from around the world....
There is a symbol at the beginning, middle and end of Good Luck. It is a simple geometric circle with a horizontal line evenly separating top from bottom. Does ...
Tackling this posthumous release from renowned experimental filmmaker Raúl Ruiz with limited knowledge of telenovelas and the subtleties of early ‘90s Chilean p...
