Reception can be pretty unreliable atop the mountains of Turkey’s Black Sea Region, so the women picking tea leaves in Çağla Zencirci and Guillaume Giovanetti’s...
Cooked with a broth of a few too many ideas, A Land Imagined is a so-close-to-being-great Singapore neo-noir that does all the right things, but simply does too...
“I was a singer,” 35-year-old Menahem Lang introduces himself at the outset of Yolande Zauberman’s piercing documentary M, “and then I became a porno kid." A se...
After her Locarno premiere, we talk to the Chilean director about growing up fast in a commune, cinema as a means to rescue one’s memories, and Chile’s own adolescence....
What immense health German cinema has found itself in lately. Since the turn of the decade, audiences of a certain ilk have grown accustomed to seeing names lik...
Halfway through Dominga Sotomayor’s movingly tender coming-of-age tale Too Late to Die Young (Tarde Para Morir Joven), my mind jolted back to a movie I saw and ...
If there is an image to best introduce audiences to the grimy cinematic world of Ray & Liz–the remarkable debut feature of Turner prize-nominated visual art...
The last time that director Liang Ying released a film (When Night Falls, back in 2012) it was apparently deemed to be a dangerous enough critique of the Chines...
Dumont spoke with us about his fascination for Joan of Arc, the crucial changes between Jeannette and Jeanne, and some unconventional methods to direct his actors....
One of our most-anticipated films in the Locarno Film Festival lineup is Ray & Liz, the directorial debut from acclaimed U.K. photographer and artist Ri...
