If made with the best of intentions to explore the always effective chestnut of memory through photographic means, it’s with great misfortune that, in the case ...
"Today we gather in love."
The wedding, in cinematic terms -- the opportunity to present dozens of extras of mingling amidst an ever-expanding backdrop (e.g....
Publicly stated by its director to concern Saint Anthony, the Portuguese priest and friar who legend calls the most supernatural of saints, The Ornithologist lu...
Lina Rodriguez’s This Time Tomorrow delivers its thesis through three clear demarcations in time -- or, rather, extended shots, beginning on a sunlit tree, comi...
For beginning with a dedication to Setsuko Hara, recently departed muse of Ozu and Naruse, Hermia & Helena -- the new film by Viola and The Princess of Fran...
Donald Cried opens in medias res on Peter (Jesse Wakeman), in a cab ride through a snowy suburb, realizing that he lost his wallet, and from there gives success...
Long past the days of the booming Hammer Horror industry, the contemporary British genre cinema, while still able to churn out the occasional 28 Days Later or A...
Isabelle Huppert might as well be crowned queen of the 2016 festival circuit. Her first film of the year, Mia Hansen-Løve's Things to Come, premiered at Ber...
Due to the mountain of clips necessitated by the visual essay format, Thom Andersen's work often carries with it a burden of inaccessibility, so consider th...
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