"Just because you’re a filmmaker doesn’t mean you make money," Paul Schrader recently told us. "That’s the big thing that has changed, and, as they say: if ...
Somewhat going full circle after breaking out with Clerks, for his last few features Kevin Smith has returned to his small-scale roots, crafting personal fi...
There are indie film scenes like the one chronicled in Actor Martinez everywhere, ones where those with a day job have ambitions that cannot and never will pay ...
Horror anthologies are here to stay, with the V/H/S and ABCs of Death series, and Michael Dougherty's more cohesive Trick 'r Treat offering fans fun-size bits o...
Nick Simon's The Girl in the Photographs seems to be a story reverse-engineered from its final image -- which, for a low-budget horror film, is an effective one...
They may be “red and white and never blue” and they may “not even supposed to be here today,” but the clerks of Eh-2-Zed are certainly having an abnormal adoles...
Premiering at Sundance 25 years after his seminal second feature film, Slacker, Richard Linklater: Dream is Destiny, produced for the PBS series American Master...
Perhaps the most inside-baseball of films at Sundance this year, JJ Garvine and Tai Parquet’s Film Hawk is an intimate look at film consultant extraordinaire Bo...
