There’s always been an immediacy to the films of Olivier Assayas, but few have felt more timely than his latest, Non-Fiction (aka Double Vies), which jumps ...
She may be expanding her scope (and reaching entirely new audiences with her first foray into the English language with a Robert Pattinson-led A24 release),...
A modest meditation on memory and grief turns into loopy pseudo-mythical environmentalism in Naomi Kawase’s Vision, her fourth film in five years. Transplanting...
While High Life has understandably drawn all kinds of comparisons to the 60s and 70s cerebral sci-fi canon (notably Solaris and 2001: A Space Odyssey), for both...
Who needs a middle man’s subjectivity when you have algorithms predicting what people will like? Critics don’t matter much in Olivier Assayas’ talkative Non-Fic...
