It was only a few days ago that Hong Sang-soo premiered his latest film, Grass, at Berlinale (our review), but the United States is still awaiting the relea...
If you happen to be in need of motivation, take a moment to consider that South Korean filmmaker Hong Sang-soo has released fourteen feature-length movies this ...
For the fourth time in just one year, Korean cinema's hottest / most-controversial couple have a (likely excellent) film to premiere. Following the masterfu...
With his nimble means of production resulting in some of the most formally profound, emotionally introspective films of this century thus far, South Korea's eve...
God bless Cinema Guild. They've picked up the three newest films from Hong Sang-soo and the first out of the gate here in the U.S. is his Berlinale winner, ...
Hindsight is a marvelous thing. To quote the lead character of a recent Hong Sang-soo film (and by recent we mean Claire’s Camera, the second of three the proli...
Amongst our most-anticipated of the Cannes line-up are the next two films from Hong Sang-soo, who brought one of the year's best films so far to Ber...
After bringing one of the year’s best films so far to Berlinale with On the Beach at Night Alone, Hong Sang-soo is returning to Cannes with his second and t...
After bringing one of the year's best films so far to Berlinale with On the Beach at Night Alone, Hong Sang-soo is returning to Cannes with not only his sec...
Thanks to last year's U.S. distribution of Right Now, Wrong Then, Hong Sang-soo has reached a wider audience stateside than ever before. While we're still w...
