With nearly 25 features now to his name, and 15 of those in the last decade, Hong Sangsoo has recently received due attention in the United States, but a numbe...
The Woman Who Ran opens on a lovely shot of hens. The camera then pulls back to show the garden of a middle-class apartment block where a woman named Youngsoon...
The Berlinale lineup already includes films from Jia Zhangke, Matías Piñeiro, and more, but now the competition slate has arrived and it's an incredibly promis...
On the heels of Hotel by the River, released earlier this year in the U.S., Grass marks Hong Sangsoo’s 22nd feature and his fifth collaboration with actress...
Hong Sangsoo, the prolific, celebrated director of On the Beach at Night Alone, Right Now, Wrong Them, and many more, slacked a bit and only premiered two new...
Hong Sang-soo completists have found themselves haunted by List, the one 30-minute bit of his filmography -- among the most continuous, flowing in modern ci...
“He’s hardly a real auteur,” says a woman of an arthouse director in Hong Sangsoo’s achingly melancholic Hotel by the River, “and he does ambivalent stuff.” Hon...
Despite a filmography that includes over 20 features, it's only been in recent years that prolific South Korean director Hong Sangsoo has gotten his due in ...
2017 marked a banner year for unfathomably prolific South Korean director Hong Sangsoo, who debuted a trio of his greatest films all in the first half of th...
Difficult though it can be to parse through Hong Sang-soo's oeuvre -- an onslaught of projects that continued with the recent premiere of Grass and is likel...
