It's an important week for three handymen in Barcelona. Pep (Pep Sarrà) is retiring after decades on the job. Moha (Mohamed Mellali) is showing what he can do ...
The way her career is headed, soon we’ll be able to collate an Ana Lily Amirpour map of the United States. A Girl Walks Home Alone at Night was set in a fantas...
At a certain point in the 1980s, there was no bigger movie star than Matt Dillon. Exploding into the cultural stratosphere with a trio of popular S.E. Hinton f...
The contemporary royal family are more compelling as media figures than anything with much consequence to how life is lived in Britain today. They make great f...
Can someone get Edgar Wright a DJ residency? Or a prime-time (or drive-time) radio slot. Few working directors are so passionate and eager to play the tunes, t...
David Cronenberg, who certainly knows a thing about difficult literary adaptations, may have said it best: "In order to be faithful to the book, you need to be...
Whatever new could be said about Paul Schrader as an artist—curving around the extra-textual value in Kickstarter campaigns, Facebook posts, and tragic losses ...
In a film of carefully appointed details, let’s isolate one. Phil Burbank (a fierce Benedict Cumberbatch) is, among many things, a man of reputation. The Monta...
T. S. Eliot gave it a cryptic name in The Waste Land: "The Burial of the Dead." Pedro Almodóvar has instructed his glamorous cast in Parallel Mothers to carry ...
Amidst the swarm of awards-season unveilings and studio premieres one shouldn't lose sight of the Venice Film Festival's Biennale College Cinema, a program sup...
