Screenwriter Chris Sparling takes us back to the script that put him on the Hollywood map with Lakewood. Much like his isolated one-man show Buried, it focuses...
Despite leaving writer-director Kate Dolan's feature debut You Are Not My Mother with a lot more questions than answers, I don't think that reality is necessar...
There's an interesting lesson to be learned at the center Laurent Cantet's Arthur Rambo—one it's honestly shocking to think still needs to be learned. I don't ...
We often forget that exotic locales aren't an escape for those living here. While co-eds dock ashore for sun, sex, and fun, families merely wake up early to go...
With the TIFF world premiere The Mad Women’s Ball (Le Bal des folles), Mélanie Laurent proves again to be an equal force in front of and behind the camera. The...
One of the particular pleasures of The Lost Daughter, actress Maggie Gyllenhaal’s debut feature as a director, is wondering which of the handful of sizeable fe...
Booked to talk Mastering the Art of French Cooking on public access channel WGBH-TV, Julia Child took it upon herself to call the station and request a hotplat...
Their differences are plenty. Her heritage is Irish; his is Pakistani. She lives in a part of Britain where he knows to worry about getting stones thrown at hi...
Frank Farelli (Pål Sverre Hagen) has been unemployed in a dying town for quite some time. The area used to attract visitors in the past—not many, but enough to...
Time is everything in a Terence Davies film. In Benediction, his biopic about English poet Siegfried Sassoon (Jack Lowden), he eventually covers his subject’s ...
