A few thrillers have premiered at this year’s Sundance Film Festival that feature vulnerable and underestimated women, but none of them carry the quiet, enigma...
Tonally disjointed but at times hilarious, Adamma Ebo’s feature adaptation of her popular short seems to have taken a misguided shape. This religious satire th...
What defines bodybuilding, rather than a general fitness regime or the physical conditioning required for contact sports, is how it sees strength as an end to ...
The characters in Justin Benson and Aaron Moorhead’s films shouldn’t be in these situations. They’re out of their depth, caught up on a conspiracy, a cult, or ...
Let's start here: Master, written and directed by Mariama Diallo, is a film with ambitious scope and intention. That it does not quite succeed in its endeavors...
In The Mission, unwavering faith is a requirement. For the four young missionaries followed by director Tania Anderson, Finland becomes their two-year home, a ...
Plot summaries (and reviews) of My Old School face a difficult task: how to describe a film whose very existence is based around a big spoiler. Sundance's prog...
In her most personal and intimate film, master documentarian Ondi Timoner (We Live in Public, Cool It, Dig) turns an intended family tribute for a virtual memo...
Taking part in ten Sundance premieres over the last ten years, Aubrey Plaza’s niche in the world of independent cinema has been well carved. Reaching into dark...
In 19th-century Macedonia a desperate mother makes a deal with a witch. Rather than allow her only child to be taken from her immediately, the woman promises h...
