Alice Diop was never interested in the outcome. In 2016, the filmmaker attended the trial of Senegalese mother Fabienne Kabou, who walked to the beach in Berck...
The films of Cartoon Saloon have an inherently folkloric quality, often feeling like tales that have been passed down through centuries—even if they are boldly...
In the tradition of Okja and Hail, Caesar!, writer-producer-director Joanna Hogg has gifted the world with two Tildas (Swinton, that is) in one film. Just shy ...
In 2016, documentary filmmaker Alice Diop (We) felt compelled to attend the trial of Fabienne Kabou, a Senegalese mother accused of infanticide. Pregnant at th...
Life is about handling contradictions. And they all demand that we choose between compromising, conceding, or refusing to back down—whether it's opposite a fam...
Turkish-German filmmaker Fatih Akin shot to international fame when his fourth feature Head-On won the Golden Bear at the 2004 Berlinale. Since then he’s compe...
In the middle of the 1970s, Sergei Parajanov was killing time. Imprisoned for what the authorities considered subversive activities (he was, amongst other thin...
The inescapable problem at the core of any omnibus or anthology film with multiple cooks in the kitchen is, by all design, things will be uneven. Yet V/H/S/99 ...
This Friday, the 60th New York Film Festival kicks off its anniversary edition, which, in a fest first, will feature screenings in all five boroughs. Ahead of ...
Peter Farrelly’s career is a fascinating example of a director whose brand of cinema became completely out of vogue after following a major American political ...
