Raven Jackson’s directorial debut All Dirt Roads Taste of Salt is a distillation of cinema to its purest form, a stunning patchwork of experience and memory. D...
Taking the Scorsese wisdom of “more than 90% of directing a picture is the right casting” to heart, Ira Sachs’ radiantly sexual three-hander Passages couldn’t ...
The talk of the internet in late 2017, Kristen Roupenian’s New Yorker story about a date gone horribly awry lit a short-lived fire of discourse surrounding gen...
Directed by Rebecca Zlotowski, the French drama Other People’s Children has a simple plot linked with complex ideas. Following Rachel (Virginie Efira), a 40-ye...
A film that rewards patience, The Tuba Thieves, despite its title, is not a quirky heist picture but rather a meditation on the presence and absence of sound f...
A sharp relationship satire that proves the more things change, the more they stay the same, Sophie Barthes' The Pod Generation imagines a world of, to borrow ...
A film as convoluted as its title, To Live and Die and Live is a poetic exploration of a new Detroit facing the same problems as the old one. Rust Belt cities ...
The career of Once and Sing Street director John Carney is a curious one, reiterating the same theme in each of his most notable movies: the power of music to ...
For the last seven decades, aliens have been observing humanity, waiting for the right moment to touch down. When they finally do, after the world’s best milit...
From the very beginning of The Deepest Breath, you know exactly what kind of documentary you’re in for. In the back of a car, director Laura McGann aims her ca...
