While there's a great deal to appreciate in Wonderstruck, Dark Waters, and The Velvet Underground, it's safe to say Todd Haynes has earned his most significant...
In The Sweet East, a high school senior take a journey through fame, exploitation, and Delaware. Working from a script co-written with the influential critic N...
Wolves are not subtle creatures. It’s a rhetorical question: “Can you find the wolves in this picture?” Who couldn’t spot wolves among humans? They’re much sma...
In The Zone of Interest a commander, his wife, and their four children live a life of bucolic bliss. They picnic by the lake. They doddle by the pool. When he ...
If the death of cinema is imminent, at least Kleber Mendonça Filho can play it out with some vintage Tropicália. It’s becoming a nice leitmotif of the Brazilia...
If you went to the movies in 1989 you might have heard Indiana Jones growl the line "it belongs in a museum." You'll hear him say it again in The Dial of Desti...
Back in 2017, Warwick Thornton landed in Venice with a western that offered some corrective to the white-savior narratives of countless others in the genre. Sw...
Few stories are as gratifying as the narrative jigsaw. How to fool the viewer into believing one thing without lying about what happened? It’s difficult enough...
When Rigoberto Duplas, the worrying conceptual artist and antagonist of Amat Escalante's new film, tells Emiliano, our steadfast lead, that the cheap glass in ...
A child conceived when Killers of the Flower Moon's first still debuted––that was May 10, 2021––could now walk, or at least waddle. It's a fine image, unambigu...
