When asked, in 2019, to explain why her first three features begin during the night, Alice Rohrwacher recalled the long drives she would take with her beekeepi...
In The Old Oak, an English man and a Syrian woman become unlikely friends on one side of a simmering culture war. It's the latest from Ken Loach and, if report...
Iranian filmmaking’s reliance on formal restrictions and secrecy are given new variations in Terrestrial Verses, co-directed by Ali Asgari and Alireza Khatami,...
If you are familiar with the anarchically grungy films of Joel Potrykus, then you've certainly seen the talents of Joshua Burge. His latest lead performance is...
The 76th edition of the Cannes Film Festival has now concluded, with Justine Triet's Anatomy of a Fall taking home the top honors. While our coverage will cont...
With Cobweb, South Korean genre stalwart Kim Jee-woon falls back on that old piece of received wisdom: “movie people, ain’t they crazy?” When in self-satirizin...
Following The Wild Boys and After Blue, Conann marks the third feature-length project from prolific shorts filmmaker Bertrand Mandico. Many are still not convi...
Wim Wenders is back, and he’s brought Lou Reed (still dead) with him. It’s not that Wenders hasn’t been making films. He has. It’s just that the only good ones...
The 76th edition of the Cannes Film Festival came to an end today at the awards ceremony, featuring prizes handed out by jury president Ruben Östlund and membe...
The pastures in Nuri Bilge Ceylan’s luminous new film are only dry at the very end. Save for that brief summery coda, the landscape in About Dry Grasses remain...
