I was thinking about my motherI was thinking about what’s mineI was living my life like a HollywoodBut I was dying, dying on the vine
–– John Cale
It was...
Tempting though it is to pen this review in the voice and style of Mort Rifkin, the most indelible Woody Allen character in years, the embattled New York-born ...
It’s one thing to ask a casual soccer fan if they've ever heard of the 1971 Women’s World Cup and hear a “No.” It’s another to get the same response from two-t...
Pete Gleeson’s 2016 documentary Hotel Coolgardie came and went on the festival circuit, but it made a strong impression on those who caught it. Following two y...
It’s 2023 and the early 2000s are having a moment: blog rock is being celebrated, nü metal is back, and Emerald Fennell––perhaps recognizing this vibe shift––s...
One night in 2016, I was working at a small movie theater in Austin, Texas, when a man leaned over the cash register and shook my hand. “Thanks for tonight,” h...
“The only difference between children and grown-ups is that the grown-ups are unsupervised.” This line, uttered in the second half of Bill Ross IV and Turner R...
The second part of this year’s Venice Film Festival shines with at least two firsts: Ava DuVernay is the first African-American female director competing for t...
Shrouded in a veil of secrecy up until its Japanese release this past July, Hayao Miyazaki's first feature in a decade and potentially the 82-year-old director...
Politics are the enemy in Gábor Reisz’s Explanation for Everything, an ambitious, entertaining effort from the Hungarian filmmaker to address the crisis of div...
