With an increasingly crowded marketplace, there are more reasons than ever that something might not find an audience and we've rounded up the releases that deserved more attention....
The defining moment of the Romanian New Wave came in 2007 when a 39-year-old filmmaker named Cristian Mungiu won the Palme d'Or in Cannes for 4 Months, 3 Weeks and 2 Days. It was only his second feature film....
Few things give us more pleasure than the arrival of bold, new voices. It's why we venture to festivals and pore over a variety of different features that might bring to light some emerging talent. This year was an especially notable time for new directors making their stamp, and we're highlighting the handful of 2018 debuts that most impressed us...
We met Frémaux at the Marrakech film festival recently and found him in an affable mood, happy to discuss how his job has changed in those tumultuous years....
Few films this year serve as a cinematographer's showcase in quite the same way as The Favourite, which one might easily believe was designed from the top-down as an opportunity to indulge in visual touchstones, eccentricities, and a flourish by any other name. ...
One of the most powerful cinematic experiences I've had this year is with Khalik Allah's Black Mother, a poetic, spiritual exploration of Jamaica through th...
Following its world premiere at the Cannes Film Festival earlier this year – as well as subsequent screenings at a handful of other festivals including Sydn...
Judging by its prominent presence at midnight sidebars of film festivals everywhere, it’s fair to say Korean cinema has got the genre game down. The feature deb...
