There’s only one universal truth shared amongst all humans: one day, we will die. For some, this cold, uncomforting reality can lead to paralyzing anxiety as w...
Is it worse to be bored or to be annoyed by a lack of ambition? What’s more grating: toe-curlingly twee humor or the type of writing that assumes a child using...
When Bill Murray repeatedly wakes up on the same morning in Groundhog Day, the radio blares Sonny and Cher’s “I Got You Babe.” It’s a winking reminder of what’...
Part journalism procedural and part depressing exposé, Alexander Nanau’s verité documentary Collective examines the institutional corruption at the heart of th...
It’s about 20 minutes into The Night House that it finds its footing. The school year has just ended and Beth (Rebecca Hall), a high school English teacher, go...
“Oh! Oh! Oh!” a voice keeps screaming. There’s a man flowing from a side channel into a main canal during a flood, and he breaks past a wall of white rapids. N...
It's hard to imagine someone better suited to take on the legacy of Gloria Steinem than Julie Taymor. Her first directorial effort in a decade, The Glorias off...
The inciting incident of Downhill takes place on the deck of a ski resort in the Alps. In the midst of lunch, a family of four watches a controlled avalanche t...
After getting attention on the festival circuit with her back-to-back first features Thou Wast Mild and Lovely and Butter on the Latch, director Josephine Deck...
One of Sundance’s most stunning break-outs in the past decade was Martha Marcy May Marlene, Sean Durkin’s remarkably crafted, psychologically deft exploration ...
