There is a scene in the middle of The Last Shift in which our two main characters–Stanley (Richard Jenkins) and Jevon (Shane Paul McGhie)–get into an argument ...
In an immensely promising Berlinale lineup, one of our most-anticipated films is from French master Philippe Garrel. Following 2017's Lover for a Day, he's now...
The existential quandaries of death and what may happen after our final breath is the subject of countless films, including a stand-out here at Sundance. But w...
The Hangzhou of Zheng Lu Xinyaun’s The Cloud in Her Room is a funereal city, a protean place rife with cranes and construction sites, where new buildings mushr...
Penelope and Dimitris are professional pet cremators. They roam the sprawling periphery of an industrial Greek town, retrieve defunct animals from their owners...
When it comes to Natalie Wood: What Remains Behind, what you see is what you get. Zipping by at a manageable 100 minutes, established producer and documentaria...
Launched in 2006 by Tarana Burke, the #MeToo movement gained global support and momentum nearly a decade later when sexual abuse allegations against Harvey Wei...
A profound and poetic passage and a playful Fitzcarraldo allusion aside, Omniboat: A Fast Boat Fantasia is a shockingly bad picture. Omnibus (er, boat) flicks ...
With the first Sundance Film Festival of the new decade wrapping up today, the award winners have been announced. Leading the pack is Minari, which picked up U...
There is no shortage of films that depict the pains of assimilation and the pursuit of the American Dream for a more promising future. It’s been customary for ...
