As my time at the 56th Chicago International Film Festival starts to wind down, I’ve been thinking about movies. Who knew? More specifically, I’ve been thinkin...
Abuse is a hard subject to talk about, let alone put into words, and filmmakers who choose to tell these stories always have a struggle. How much of the incide...
Skating into my halfway point for the 56th Chicago International Film Festival, I’m starting to realize the little things I miss about doing this in person. Su...
Calling a Kate Winslet performance career-best is no easy statement, but her turn as 19th-century English paleontologist Mary Anning in Ammonite is certainly i...
With another day at the (virtual) 56th Chicago International Film Festival comes another batch to sift through. It was a lighter batch too, not just in numbers...
While my first day of the 56th Chicago International Film Festival brought four scripted movies, day two had a bit more variety on that front. Yes, Thursday th...
With each October comes the Chicago International Film Festival, but with 2020 also comes a pandemic. Yes, CIFF is rightfully falling in the same school as sev...
MLK/FBI shows the lengths J. Edgar Hoover’s FBI went to “neutralizing King as an effective Negro leader,” according to a bureau memo from 1963. Sam Pollard’s c...
In Abel Ferrara’s films over the last 10 years, the apocalypse has been looming, waiting to infect everyone in its vicinity with darkness, death, and devastati...
Does a bear standing in the road influence a bear by the boathouse? Or are both animals a manifestation of the same mind to punctuate the climactic conclusions...
