The success of Paweł Pawlikowski’s Ida and Cold War has revealed, among arthouse audiences, a heretofore unimagined ravenous hunger for Eastern Bloc period dra...
The original Spanish-language title of Identifying Features is Sin Señas Particulares, or “No Particular Signs”—a reference to the individuating marks found, o...
With early rollouts of vaccines offering a sliver of silver lining to this most tumultuous of years, film festivals around the world already begin anticipating...
It’s difficult enough for anyone to sort through the artifacts of their deceased parent or grandparent’s home and figure out what to save, what to donate, and ...
Taking place January 28 through February 3 next year, the 2021 Sundance Film Festival will look quite different than ever before. Today, Sundance Institute unv...
As with most festivals in a pandemic world, Slamdance Film Festival is changing things up with their 2021 edition. Moving a few weeks back to February 12-25, n...
Late in Justin Staples’ brief exploration of the sub-genre known as "SoundCloud Rap," New York Times pop music critic Jon Caramanica opines that "what young pe...
Thought no fault of the filmmaker, Katrine Philp’s affecting Beautiful Something Left Behind arrives in an unusual period of global certainty, bravely explorin...
The FBI officially closed the D.B. Cooper case in 2016, forty-five years after he hijacked a plane, extorted $200,000, and jumped somewhere between Seattle and...
The American immigration system is broken. We can argue about how and what all we want, but that simple fact should be something for which both sides of the po...
