Any newly-released film, book, or piece of media that begins its story in the latter months of 2019 is signifying something very clear: trouble like we’ve neve...
In their debut feature film, directing duo Harpo and Lenny Guit craft a narrative unlike any other. Mother Schmuckers (Fils de Plouc in their native French) op...
Sharks have been lurking in the depths of our cultural consciousness for decades now. From the fear that Jaws instilled in audiences in 1975 to the endless con...
What if the government didn't strictly tax your paychecks and transactions, but your dreams as well? With their vibrant, imaginative, and genre-melding new fil...
Iuli Gerbase’s The Pink Cloud starts off with a disclaimer: “This film was written in 2017 and shot in 2019. Any resemblance to real life is purely coincidenta...
In 1971, Björn Andrésen was the most beautiful boy in the world. In 2019, he’s the elder of a neopagan commune in rural Sweden, whose inability to commit suici...
The current state of American animated cinema is more than a little disappointing; Pixar, Disney, Dreamworks, and more regurgitate the same formula and offer n...
Following the 2019-2020 school year, Homeroom sets itself up for more than it could have originally anticipated. It’s the senior year for a swath of Oakland Hi...
It’s hard to judge Siân Heder’s Coda outside of its context: being one of the opening feature films to the 2021 Sundance Film Festival, a (now-virtual) place k...
Somewhere in Bangkok, Aood (Ice Natara) sits alone in a car listening to the radio. Meanwhile in New York, Boss (Tor Thanapob) yuks it up with the ladies as a ...
