Ending earlier than usual in their hybrid virtual/physical edition of this year's festival, Sundance Film Festival have now unveiled their award winners. Swept...
What if, instead of meeting on a balcony by moonlight, Romeo and Juliet exchanged dog gifs and memes from The Office over Instagram DMs? Wouldn’t it have been ...
Tense and gripping, Hogir Hirori’s documentary Sabaya never positions itself as a thriller. There’s no need. Barring a few cards of scene-setting exposition, t...
Captains of Zaatari opens on a note of beauty, with exceedingly pretty shots of best friends Mahmoud and Fawzi kicking up dust as they bounce a soccer ball bac...
I often wonder what influential film theorist Andre Bazin would make of VR and simulations, especially when this year’s Sundance has virtualized the festival e...
A film that is both timely and timeless, Judas the Black Messiah resists intertwining current events with historical figures––an approach that Spike Lee has ex...
Opening the 50th International Film Festival Rotterdam is Anders Thomas Jensen's entertaining rollercoaster of a film Riders of Justice, following a soldier na...
In a café in Gijón, Spain, Leonor (Amalia Ulman) sits with a cup of coffee. An older man (Nacho Vigalondo) approaches her and joins her, and the two start disc...
To put it simply, Sammy (Miya Cech) isn’t doing too well. She’s as angsty as any other 13-year-old on a good day and vandalizing school on a bad one, assuming ...
Sundance 2021 has been filled with so many movies about—and made in—the current pandemic that a 19th-century, gory genre flick feels like a return to normalcy....
