Tim Burton provides such a distinct look, feel, and texture to every one of his films -- regardless of how you might feel about them -- that he's very much a ge...
One of the most inventive foreign exports of the decade so far is André Øvredal's Trollhunter, a thrilling, funny mockumentary which puts us on the ground a...
If you’re just about numb to comic book films these days, then allow this quaint Italian picture to cleanse your palette. The debut feature-length effort from f...
"There are two things you need for a good adventure: a treasure map, and someone dumb enough to go with you." If you were to read that, you might just be inclin...
Four years ago, Danger 5 screened at Fantastic Fest to a welcome response. In 2014, Wastelander Panda was met with similar acclaim. Now, a similarly entertainin...
People say that there is art through adversity. As such, to begin, it’s worth stating that Mattie Do‘s latest feature is the 13th film to come out of Laos… in i...
Seemingly from outer space (Australia, really) comes Science Fiction Volume One: The Osiris Child. This lost ’80s era space opera is a fresh of breath air that ...
At Fantastic Fest, the largest genre film festival in the United States, you tend to get two types of films. First, there’s the wacky, chimerical, excess-for-th...
One of the most divisive films at Sundance this year was Nicolas Pesce's The Eyes of My Mother, the latest production from Borderline Films, the team behind...