With less than a month to go until the 40th Toronto International Film Festival kicks off, there's already been a great many titles announced and today one of...
Turning 40 years this fall, the Toronto International Film Festival is revealing a new section titled Platform. Said to "champion director's cinema from aro...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuse...
If I advised you to avoid the French preview for Alex Ross Perry's new film, Queen of Earth, it only follows that I'd say the same about an official U.S. tr...
No matter how rough-edged the men and women of Alex Ross Perry's films are, none carry the pain that so marks Catherine, the protagonist of his fourth featu...
Losing a child is an unimaginable fear, an event that brings upon insurmountable grief and anguish that seems irrevocable. Meadowland, the directorial debut of ...
Alex Ross Perry does not deal in likeable protagonists. The brother and sister from his 2011 breakthrough The Color Wheel and the titular hero of last year’s in...
I'm happy to report that 2014 was a year brimming with standout blockbusters, worthy festival favorites, and surprising sleeper hits. I was most struck by the...
