We have been crazy about Tsai Ming-liang's Days for quite a while—premiering at Berlin 2020, which will go down as the last gasp of film culture as we knew it ...
With each October comes the Chicago International Film Festival, but with 2020 also comes a pandemic. Yes, CIFF is rightfully falling in the same school as sev...
We have had the privilege of speaking with Taiwan-based filmmaker/master of slow cinema Tsai Ming-liang three times over the last four years (see here, here, a...
Not a huge amount takes place at the beginning of Days. The opening exchanges are elemental: wind blows; rain patters; grass shivers; a boy in pink shorts play...
