There is something fitting about the fact that a charming adventure story about a boy that never grows up who leads a cadre of children wishing to remain simil...
There may be no director getting more use out of the one-for-them, one-for-me method of filmmaking than David Lowery. Following up The Green Knight, he returne...
Following The Green Knight, David Lowery spent the pandemic crafting another Disney reimagining, after directing the only worthwhile one yet, Pete's Dragon. Ah...
While the reaction to David Lowery's The Green Knight has run the gamut here at The Film Stage, we can all agree on one thing: its use of visual effects is amo...
“Whilst we’re off looking for red, in comes green…”
A knight errant (or should that be apparent) dives into a lake on an errand given by a sainted spirit; a...
Sir Gawain and the Green Knight is one of the richest medieval texts, a delightful story one could spend hours discussing with no possible end to the interpret...
Anthology films like The Year of the Everlasting Storm, wherein a flurry of esteemed directors create short segments tethered to a common theme, lack a strong ...
Memoria won't be the only Apichatpong Weerasethakul film at Cannes Film Festival. Along with that highly-anticipated Tilda Swinton-led project, the Thai master...
With the pandemic forcing filmmakers into quarantine it meant many productions and premieres were delayed, leaving creative minds to explore other outlets to p...
As they did with much of their slate last year, A24 delayed David Lowery's The Green Knight, now making it one of our most-anticipated films of this summer. Ah...
