Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, editor Nick Newman, writer Danny King, and I are joined by the esteem...
“The sooner you look like yourself, the sooner you will feel like yourself.” People tell a lot of lies in Gone Girl, but perhaps none as big as that one. This is a film in which appearances and images of everything, from the big picture to the tiniest details, cannot be trusted....
The doll is creepy; there’s no use in trying to dispute that. Even when John (Ward Horton) first brings it home to his pregnant, doll-obsessed wife, Mia (Annabe...
With his commitment to the highest level of quality through many takes, David Fincher is perhaps the most technically precise director working today. When e...
If September was merely the warm-up for our fall film season, October is a full-on assault of incredible titles, ranging from the widest of releases to a few that will, unfortunately, arrive in only a handful of theaters....
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuse...
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
Something is wrong from the very first moments of Gone Girl, David Fincher's sinister, immensely entertaining tenth film and an adaptation of Gillian Flynn’s pu...
