Just last summer it was learned Claire Denis would soon location-scout her new feature in Cameroon, where she grew up and would use as a central area for Choco...
No reasonably intelligent person imagines an artist's statement about the horrors in Gaza would, in fact, end those horrors, but there are always limits to wha...
Update: A new interview wherein Denis discusses her Tindersticks collaborations has been released. Find it and the original story below.
It’s less the quest...
I opened Twitter on a beautiful Friday evening because I've long struggled to treat myself well and ultimately don't believe I deserve happiness. But after 14 ...
Slowly but surely the earlier work of Claire Denis is getting restorations and re-releases, from Beau Travail to L'intrus to No Fear No Die. While we hope Frid...
It's not so much the question of whether or not Claire Denis and Tindersticks are modern cinema's most fruitful director-musician collaboration; it's more a ma...
It's been nine years since Tindersticks released a Claire Denis soundtrack; every listen to Stars at Noon (of which I've had several this week) justifies that ...
Claire Denis has had a busy year. Her two films, Both Sides of the Blade and Stars at Noon, premiered at Berlinale and Cannes, respectively. Blade earned the S...
A true Tindersticks fan will only welcome whatever's next, but even by such open-armed standards was I dazzled by their soundtrack for Stars at Noon, the (give...
It's now evident that smaller-scale projects from Claire Denis that she completes while waiting for the larger-scale ones to get off the ground are more artist...
