No reasonably intelligent person imagines an artist's statement about the horrors in Gaza would, in fact, end those horrors, but there are always limits to wha...
What do some of the directors of the best movies of 2023 think about the year in cinema? Films in Frame polled Christian Petzold, Justine Triet, Pedro Costa, V...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Scout Tafoya to discuss ...
I admitted upfront, still adjusting my seat in Criterion's New York office, that I don't really know how to interview actors––what their processes and poi...
It’s February morning in Berlin. “I’m a little out of consciousness,” Christian Petzold explains, a tad frazzled but keen to talk––and Petzold likes to talk. H...
While this summer will bring Barbies, nuclear explosions, and the return of both Ethan Hunt and our favorite professor of archaeology, our most-anticipated cin...
Writing recently about the introduction of video umpires in baseball, of all things, Zach Helfand was skeptical: “accuracy is not the same as enjoyment,” he wr...
In case you missed the Super Bowl spot for Christian Petzold's Afire during last night's big game, the first full trailer for the German auteur's new film has ...
Back in the fall of 2020, when his fairytale Undine was making the festival rounds, German filmmaker Christian Petzold revealed he was working on a new project...
Few filmmakers enliven conversation more than Christian Petzold, whose approach to any question—be it transposing narrative and philosophical tenets between na...
