At only two feature films, Toronto-based writer-director Kazik Radwanski has already formed a clear thematic through line. His previous picture, Tower, was abou...
Following up its debut at Cannes Film Festival earlier this year, László Nemes sat down to discuss his first feature, Son of Saul, at the Toronto Internatio...
The opening credits of Nanni Moretti’s Mia Madre, with portentous music set against a black background, set off a few warning bells. Has the weight of the human...
Although it won't hit U.S. shores until next spring, those that missed it at Cannes can catch Joachim Trier's Louder Than Bombs at the Toronto International...
Earlier this year, Kent Jones’ Hitchcock /Truffaut -- a documentary on the famous interview sessions between the two directors -- boasted perhaps the most chaot...
It's taken a little while for Cannes' 2014 Grand Prix winner The Wonders to reach U.S. shores, but the reception earned along the way has been a largely pos...
Films don't get much more anticipated than the latest from Todd Haynes. An adaptation of Patricia Highsmith's novel, The Price of Salt, Carol follows a roma...
A chance oddity has occurred in the great European festivals this year. With no clear discernable connection between them, biopics of arguably the three most fa...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we've taken it upon ourselves to highlight the titles that have recently hit the interwebs....
Coming out of the Cannes Film Festival, one of our favorites was Yorgos Lanthimos' Kubrickian, uproarious drama The Lobster. Toplined by Colin Farrell, Rach...
