If there is one blemish in Jim Jarmusch’s exceptional filmography, it’s his first foray into documentary: 1997’s little-seen Year of the Horse, a surprisingly i...
Motion, love for the Gaia, and lush orchestral music provide the backbone of Michaël Dudok de Wit’s The Red Turtle, a dialogue-free, feature-length animation ab...
In the director’s statement included in the press notes to It’s Only the End of the World, Xavier Dolan says he considers his sixth feature to be his “first as ...
The Safdie brothers were not overnight successes, but the speed at which they've moved forward since Heaven Knows What -- one of last year's biggest accompl...
Kim Nguyen’s Two Lovers and a Bear is a film that suffers from a bit of an identity crisis. Like an indie playlist stuck on constant shuffle, unapologetically r...
By our accounts, it's been a pretty fantastic Cannes Film Festival thus far and there's still a good number of highly-anticipated features left to premiere....
Not a huge amount happens in Ma’ Rosa, the relentless new film from Filipino director Brillante Mendoza, which premieres this week in competition at Cannes. In ...
In the 20 years since their breakthrough, The Promise, Jean-Pierre and Luc Dardenne have made seven features, all of which ranged from great to sublime, won two...
It’s been over 40 years since Chinatown, and roughly the same amount of time separates the events of that film from those of The Nice Guys, another tale of a pr...
After Clouds of Sils Maria, Personal Shopper confirms Olivier Assayas as the director most adept at drawing the best out of Kristen Stewart. Here she follows in...
