Cannes

[TIFF Review] Paris Can Wait

With her last feature directorial credit being contributions to 1991's Hearts of Darkness: A Filmmaker’s Apocalypse, Eleanor Coppola is perhaps better known as ...

[Venice Review] The Road to Mandalay

We’ve lamented the qualitative drop of Chinese cinema around this time last year, as Hu Guan’s glossy generational drama Mr. Six closed the Venice Film Festival...