On the surface, Jonathan Ames’ You Were Never Really Here seems like an odd fit as source material for a film by Lynne Ramsay. Ames’ novella is a pulpy genre ex...
It is, undeniably, a bold decision to title one’s film Western: on the one hand, the word carries geopolitical weight and a cultural hegemony that the cinema is...
Hong Sang-soo’s first film starring Isabelle Huppert, In Another Country, counts as one of the more lightweight entries in the Korean auteur’s oeuvre. Compare i...
There are few directors who would choose to take a semi-sincere approach to a lengthy pseudo-philosophical science-fiction film -- especially not one that light...
It's one thing to make a movie about an artist and his art; it is a whole other thing to make a movie about an artist mostly just doing his art. That is the cen...
It’s probably safe to say that, up until now, no lucid person had compared a Safdie brothers film to the work of Michael Mann. Indeed, it may still be a stretch...
Fatih Akin sends a cumbersome bull into the socio-political china shop of present-day Germany, and all its racial and social divides, with In the Fade, a compel...
Diane Kruger is out for blood in In The Fade, the new drama from Fatih Akin which will debut this week at The Cannes Film Festival. Kruger, in what will rem...
“Man is a wolf to his fellow man," quotes a character early in Sergei Loznitsa’s A Gentle Creature. The ordeal suffered by its protagonist will indeed be solita...
Hindsight is a marvelous thing. To quote the lead character of a recent Hong Sang-soo film (and by recent we mean Claire’s Camera, the second of three the proli...
