A legitimately intoxicating mix of narrative and experimental filmmaking within one of the most exotic locations you could ever hope to take a camera, Kaili...
In the years since it was announced, actual materials surrounding Lars von Trier's The House That Jack Built have been scant -- an image here, the briefest ...
Gaspar Noé has probably never been likened to Lazarus before – or any other saint, for that matter – but he’s fully earned himself the comparison with Climax, w...
It should go without saying that, regardless of genre, period, or just about any other contributing factor, any new release from Jia Zhangke is something with w...
"I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge th...
Though there exists evidence (read: four feature films) that Jafar Panahi's 20-year filmmaking ban has largely turned symbolic, every work nevertheless feel...
I do like Gaspar Noé. I like the swirl of colors and violence and Thomas Bangalter (consensual) sex. I like the stupidity. I like the malevolence. I like wh...
Jean-Luc Godard's The Image Book has been birthed, and even our sharpest critics will need time to let it percolate. This is a sort of inevitability that go...
So, what to make of this Le Livre d’Image? Hmm. Speaking at the ISM in Berlin recently, Brian Eno (that granddaddy of sonic soups) pondered why we sometimes get...
It has been nearly seven -- seven -- years in the making. While The Tree of Life's theatrical release was expanding, rumor emerged that Terrence Malick had ...
