Cannes

[Cannes Review] Lawless

John Hillcoat's Lawless, with its Tommy guns, tilted fedoras and backwater blues, is certainly the most American film to show at Cannes in some time. It's the 1...

[Cannes Review] Reality

Matteo Garrone's Reality never becomes the vicious criticism of unearned fame and non-stop television one might expect from the man who revived the mafia pictur...

[Cannes Review] The We and the I

With each new film, Michel Gondry falls further and further away from his Charlie Kaufman-scripted opus, Eternal Sunshine of the Spotless Mind. Here in Cannes w...