Cannes

[Cannes Review] Cosmopolis

In David Cronenberg's adaptation of Cosmopolis, a novel by post modern author Don DeLillo, the Canadian filmmaker tackles a dense criticism of capitalism, greed...

[Cannes Review] The Paperboy

Operating on a level of ridiculousness so high it suggests possible intention, Lee Daniels' The Paperboy is trash pile packed high, high and higher still. Adapt...

[Cannes Review] Sightseers

In Ben Wheatley's third film Sightseers, the British director, known for taking scenes of normalcy and then spiking them with extreme violence, continues his st...

[Cannes Review] Holy Motors

In Leos Carax's (Pola X) delightfully surreal Holy Motors, the filmmaker seems to be channeling the absurd sensibilities of Luis Buñuel in his prime. Having not...