Cannes

[Cannes Review] Post Tenebras Lux

In Carlos Reygadas' Post Tenebras Lux, a Latin phrase which translates roughly to "light after darkness," the Mexican filmmaker continues to channel his tradema...

[Cannes Review] Mud

Still exploring the working class American south with a heavy dose of mythical storytelling, only this time with a much broader brush, Jeff Nichols' tries at ma...

[Cannes Review] Me and You

Though he's a filmmaker who has painted on a large tapestry, both literally and figuratively, Bernardo Bertolucci's new film Me and You is decidedly smaller in ...

[Cannes Review] The Angels’ Share

British filmmaker Ken Loach has been around for nearly half a century, starting as a television director in England before his first feature, Poor Cow, starring...