Cannes

[Cannes Review] Inside Llewyn Davis

There are few filmmakers as reputable and well respected as Joel and Ethan Coen, and aside from a few exceptions (The Ladykillers, Burn After Reading) they cons...

[Cannes Review] Young & Beautiful

Jeune & Jolie (Young & Beautiful) paints the portrait of a young French girl's journey of sexual awakening and experimentation that is at times reminisc...

[Cannes Review] Jimmy P.

In Arnaud Desplechin's Jimmy P.: Psychotherapy of a Plains Indian, the French director makes his second leap toward the English-language realm (following Esther...

[Cannes Review] The Congress

Trippy, bizarre, surreal and hallucinatory are all excellent adjectives with which to describe Ari Folman's The Congress. Adapted from a novel by legendary sci-...

[Cannes Review] The Past

Should we forget the past in order to better our future? This existential question is at the core of The Past, Asghar Farhadi's follow-up film to the Oscar-winn...