Cannes

[Cannes Review] Venus In Fur

Even in an advanced age and with a slightly reduced rate of output, Roman Polanski is still considered one of the most influential filmmakers alive and operatin...

[Cannes Review] Bastards

There is a constant discussion and debate about the lack of female directors working today, one mostly connected with how this disturbing trend of inequality ne...

[Cannes Review] Blue is the Warmest Color

One of the most talked about entries at this year's Cannes Film Festival had exploded as somewhat of a surprise after its initial screening -- and for fine reas...

[Cannes Review] Zulu

The closing titles at the Cannes Film Festival have a certain notoriety for being clunkers, ones a studio will try to push out in the hopes of getting some fina...

[Cannes Review] The Immigrant

Set in 1921 New York, The Immigrant is writer-director James Gray's sprawling tale of an American dream gone awry. Immaculate production design and stunning cin...

[Cannes Review] Only Lovers Left Alive

Hipster vampires inhabit Jim Jarmusch's Only Lovers Left Alive, an unconventional love story set between the desolate locations of Detroit and Tangier. Utilizin...

[Cannes Review] Nebraska

In following up his most commercially successful film to date, The Descendants helmer Alexander Payne has returned to the Midwest roots that, through Election, ...