With the U.S. release of Pasolini, the premiere of his new documentary The Projectionist at Tribeca, his new narrative film Tommaso bowing at Cannes, production...
Ken Loach’s follow-up to his Palme d’Or-winning I, Daniel Blake is a masterful indictment of the strain of out-of-control capitalism that has dug its heels into...
Héloïse bursts into the frame with her shoulders to the camera. She wears a long dress; it billows gently as she walks outside her house in 18th century Brittan...
When it comes to cinema, the tragic situation in Palestine typically inspires grim documentaries or realist tales of hardship and war. Elia Suleiman has always ...
In a unanimous decision by the Cannes 2019 jury headed up by Alejandro González Iñárritu, Bong Joon-ho was awarded the Palme d'Or for his new thriller Paras...
Professional football (or soccer, if it pleases) has never really lent its wonders to the big screen. Lacking the glitz of North America's more popular team spo...
Cannes’s competition slate closes with Sibyl, an alluring but ultimately throwaway erotic thriller, an arthouse-inflected French potboiler starring Virginie Efi...
Basements are a recurring motif in the cinema of Bong Joon-ho. From the tunnels running below the apartment building of Barking Dogs Never Bite (2000), to the t...
