Aggressively stupid when it’s not downright illogical, it is hard to imagine a film less deserving for a competition slot at this year’s Cannes Film Festival th...
Opting out of an AFI Festival premiere last fall and pushing back its theatrical release plans nearly an entire year, Bennett Miller's Moneyball follow-up F...
Dailies is a round-up of essential film writing, news bits, and other highlights from our colleagues across the Internet -- and, occasionally, our own write...
On their surfaces, Mike Leigh and J.M.W. Turner — the artist at the center of his latest film, Mr. Turner — couldn’t seem more like polar opposites. The 19th-ce...
Perhaps the most peculiar development in the film world since Spring Breakers itself arrived, last week Wild Bunch revealed they were making a sequel to the...
Abderrahmane Sissako can no longer be called one of the greatest African directors of our time; he has become, simply, one of the greatest directors of our time...
With a Cannes premiere in just under ten days, the first clip has now dropped for Olivier Assayas' highly-anticipated drama Clouds of Sils Maria. Before we ...
Saint Laurent, the latest film from House of Tolerance director Bertrand Bonello, will premiere at Cannes in just a few days time, on May 17th, and the helm...
While they won't be screening at the festival, the Cannes marketplace provides a look at a large batch of projects with a variety of materials. Today we hav...
Dailies is a round-up of essential film writing, news bits, and other highlights from our colleagues across the Internet -- and, occasionally, our own write...
