After making one of the most authentically emotional films of his career with A Dangerous Method, David Cronenberg has begun exploring the world of artificialit...
There is an unspoken emptiness that hangs boldly over Foxcatcher, which is sure to be one of the subtly darkest films made by a major Hollywood studio this year...
After stopping by Cannes with Nicolas Winding Refn on more than one occasion, Ryan Gosling is ready to debut his first directorial effort at the festival. A...
The one thing a biopic should make no business of is that the character at its center is important. Great films have been made from the least-important people i...
Every Frederick Wiseman film begins with a parable that defines, as a whole, the institution on which it will focus, and one practical that defines its tension....
While there are plenty of drinks, drugs, and women in Welcome to New York, there is no pop soundtrack, no swerving camera movements, no dazzling cross edits, no...
There is something odd about the way Hilary Swank moves in The Homesman, the second film directed by Tommy Lee Jones after The Three Burials of Melquiades Estra...
After opening with Grace of Monaco, Cannes recently kicked off screenings of their competition slate and one of the most acclaimed early contenders comes fr...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we believe it's our duty to highlight ...
The hotel at the center of the drama in Winter Sleep -- both the newest film from Turkish director Nuri Bilge Ceylan and sure to be one of the most-beloved titl...
