Cannes

[Cannes Review] Mountains May Depart

Though vastly more moderate than its predecessor, the ultra-violent A Touch of Sin, Jia Zhangke’s Mountains May Depart continues the director’s move away from t...

[Cannes Review] Love

Gaspar Noé, author of the notorious Irreversible and Enter the Void, has been generating a lot of hype around his fourth feature Love, which at Cannes was large...

[Cannes Review] The Chosen Ones

It is difficult to equitably handle and deal with particular subject matter in a film without feeling exploitative. Yet David Pablos has managed to walk this fi...