Last time Benoît Magimel appeared in the Cannes competition, a vision in Albert Serra’s Pacifiction, he played a foreign diplomat who stalked an island of Fren...
Late into Lisandro Alonso’s Jauja, Viggo Mortensen’s Captain Gunnar Dinesen disappeared into a cave. What happened next, in that unnamed stretch of 19th-centur...
Four years after world premiering Once Upon a Time... in Hollywood to Cannes Film Festival, Quentin Tarantino returned to the festival last month with the teas...
When asked, in 2019, to explain why her first three features begin during the night, Alice Rohrwacher recalled the long drives she would take with her beekeepi...
In The Old Oak, an English man and a Syrian woman become unlikely friends on one side of a simmering culture war. It's the latest from Ken Loach and, if report...
Iranian filmmaking’s reliance on formal restrictions and secrecy are given new variations in Terrestrial Verses, co-directed by Ali Asgari and Alireza Khatami,...
The 76th edition of the Cannes Film Festival has now concluded, with Justine Triet's Anatomy of a Fall taking home the top honors. While our coverage will cont...
With Cobweb, South Korean genre stalwart Kim Jee-woon falls back on that old piece of received wisdom: “movie people, ain’t they crazy?” When in self-satirizin...
Following The Wild Boys and After Blue, Conann marks the third feature-length project from prolific shorts filmmaker Bertrand Mandico. Many are still not convi...
Wim Wenders is back, and he’s brought Lou Reed (still dead) with him. It’s not that Wenders hasn’t been making films. He has. It’s just that the only good ones...
