With a Hamaguchi-like approach to 2022, Claire Denis premiered her stellar, small-scale melodrama Both Sides of the Blade at Berlinale and now debuts a higher-...
“Congratulations… it’s a murder.” A backwards thing to celebrate? Not when you’re a droll insomniac detective who’s only happy (read: not miserable) when you’r...
The deranged lunatics populating Owen Kline’s absurdist, bleakly hilarious Funny Pages are all somewhat anachronistic; loners who gravitate around old things a...
Anyone looking to take the temperature of Cristian Mungiu’s first film in six long years should heed the words of Matthias, his most recent downtrodden protago...
David Bowie’s tranquil voice seeps in over a black screen, waxing poetic philosophy about the infinity and complexity of time. Letters incrementally fade in on...
Ali Abbasi’s Border, an adaptation of a short story by Let the Right One In author John Ajvide Lindqvist, put its director on the map as one fluent in a dark g...
In 2021 Joel Coen directed his first feature apart from his brother. Seven months after The Tragedy of Macbeth's premiere, it’s Ethan’s turn to fly solo. The p...
Six years after his evocative character study The Ornithologist, Portuguese director João Pedro Rodrigues is returning with a new feature. The 67-minute Will-o...
In Three Thousand Years of Longing, an introverted historian (as if there's another kind) meets a genie. The historian is played by a bespectacled Tilda Swinto...
A new film from James Gray also means new interviews with one of filmmaking's most brilliant minds. Following the premiere of his autobiographical drama Armage...
